关于河瀨直美的电视纪录片。 Grande habituée du festival de Cannes (un Grand Prix, un Carrosse d'or et une Caméra d'or), la réalisatrice Naomi Kawase insiste dans chacun de ses films sur la valeur du vivre ensemble intergénérationnel, et sur l'importance de la cohésion communautaire. Riche de conversations avec des actrices (Miki Mizuno, Ayama Mizaki, Kirin Kiri et Juliette Binoche), des femmes artistes, et avec la maire de Tokyo, le documentaire compose le portrait de la femme contemporaine japonaise, qui alimente aujourd'hui le souffle de l'âme japonaise. Téméraires et pleines d'énergie créatrice, descendantes cachées de la déesse Kannon, les femmes seraient, selon l'auteur, l'avenir du Japon.

The men in a broken family reunite many years after a domestic tragedy drives them apart.

This movie reunites most of the members of the Cleaver clan, Wally, June, and of course, the Beaver. Their father Ward has passed away. Wally's married to Mary Ellen and a successful lawyer and has everything to make his life complete except for a child. The Beaver is married but unfortunately is still the same which is why his wife threw him out. With nowhere else to go, he goes home. And he also decides that he wants to raise his children, in his hometown of Mayfield. His wife, who decides that she hasn't done anything in her life, decides to become a veterinarian, but she can only go to school out of the country, so she let's Beaver have the children. So he brings his sons there and they are not exactly impressed with Mayfield and feel that they were dumped there, and bond more with Wally than with their own father. They also have to deal with Eddie Haskell, who has gone from nasty to crooked. It's a good thing they still have their mom.

Fifteen-year-old Sarah is at a crisis point in her life — she has to cope with deafness, her mother's boyfriend, peer group acceptance and an increasing sexual awakening.

Fueled by original music by members of Guns N' Roses, Bad Religion, No Doubt, Skid Row, Toad the Wet Sprocket, Hootie & The Blowfish and more... The Still Life tells the story of artist Julian Lamont who struggles to pick up the pieces of his tattered life in this poignant drama. A reclusive alcoholic, Julian creates a new art genre called Destructionism, and his works catapult him into the limelight. But as his success in the art world grows, Julian loses touch with the artist he truly desires to be, and his personal life soon tailspins out of control.

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The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.

"Bird," a clerk in Fordham's drugstore, agrees to place a large sum of money in the store's safe for a traveler, but when the man requests a bottle of medicine, Bird poisons the remedy, and the visitor is found dead in his hotel. Bird flees with the money, but several years later he returns, the money long since squandered. Unless Fordham's daughter Eleanor marries him, he threatens, he will tell the police that Fordham committed the crime.

John Bird and Franklyn Fordham were once business partners, but because of Bird’s shady dealings they part. After years of success for one and failure for the other, Bird takes drastic measures, resorting to arson before his scheme is thwarted.

A series of films outlining the professional and personal life of an undercover female cop who likes to do complete missions her own way.